Montage, is less about cutting pieces together than about discovering the rhythm hidden between them. It’s the space where images, sounds, and silences meet, creating new meanings that weren’t visible before. I see it as a process of weaving—shaping time, memory, and emotion into a flow that invites the viewer to experience rather than simply observe. In montage, fragments come alive by the way they touch each other, and it’s in those collisions and connections that cinema finds its essence.