MONTAGE ↓

Editing means spending time with people I may never meet, getting to know their gestures, contradictions, and ways of seeing the world. I want the story we tell to remain true to the people and experiences behind it.

I enjoy the slow process of shaping a film: returning to the footage, trying different directions, and gradually understanding what matters. Some moments take time to reveal their place. Others need to be let go, even when we love them. For me, finding the story requires both patience and a willingness to reconsider what I thought it would be.

As an editor, I bring a fresh pair of eyes and become a close collaborator. I want to understand what drew the director to the film, then work together to give that intention a form. Much of that happens through conversation, experimentation, and the trust to ask questions when something doesn’t feel right yet.

My editing work spans documentary, fiction, and animation. Below is a selection of these collaborations.